Federica Schiavo Gallery presents the first solo exhibition in Italy by Nicholas Byrne. An artist who, in painting “seems to have reprised Modernism’s dismembering of representation within his own work: a process that’s ongoing here as he works out some kind of algebra of bodily presence and absence, rehearsing different formulae”[1].
The exhibition of six paintings and an architectural addition includes the artist’s largest-scale painting to date. A work akin to religious paintings with folding panels and the formal language of Colour Field painting. In the core of the exhibition is the development of a ten year experiment in working with copper. Four works where liquid oils are in cooperation with pictures etched on the surface. Inspired by a scratch, the raw openings will react to the space around them. Over a long time, growing black before turning Statue of Liberty green.
[1] Martin Herbert, Nicholas Byrne, Frieze, 2010
Based in London. Nicholas Byrne’s work has previously been shown at The Hepworth Wakefield (2016), Schinkel Pavillion, Berlin (with Anthea Hamilton; 2015), Vilma Gold, London (2015), Outpost, Norwich (with Gili Tal; 2013), dépendance, Brussels (with Nora Schultzx, 2011) Kunstmuseum Ann Zee, Oostende (2010), Tate St Ives (2009), Studio Voltaire, London (2008).